{"id":2253,"date":"2018-12-05T02:13:41","date_gmt":"2018-12-05T01:13:41","guid":{"rendered":"https:\/\/commonspolis.org\/uncategorized\/el-miliciano-que-escribia-cartas-de-amor-sandra-navarro\/"},"modified":"2019-05-06T19:36:33","modified_gmt":"2019-05-06T18:36:33","slug":"el-miliciano-que-escribia-cartas-de-amor-sandra-navarro","status":"publish","type":"post","link":"https:\/\/commonspolis.org\/en\/community\/el-miliciano-que-escribia-cartas-de-amor-sandra-navarro\/","title":{"rendered":"The militiaman who wrote love letters. Sandra Navarro"},"content":{"rendered":"

In anticipation of the upcoming premiere of the performance called \u201c36 characters\u201d, Sandra Navarro, Spanish actress and choreographer , shares some of her thoughts with CommonsPolis.<\/span><\/h4>\n

Las cintas son el hilo conductor de la nueva obra<\/strong> que presento en Barcelona a mediado de diciembre. Se refieren a grabaciones que hice a mi abuelo. Ellas son las que me vincula a mi abuelo, o sea a mi identidad y que nos enlaza a la historia de la guerra civil, en otras palabras a nuestra Memoria. Una historia paralela, una historia no contada que descubr\u00ed poco a poco estudiando el universo pintado por los recuerdos de mi abuelo. Tambi\u00e9n hice entrevistas a algunos miembros de mi familia, ah\u00ed comprob\u00e9 que son las emociones quienes dictan los recuerdos ya que todas las versiones que pude recoger eran diferentes.<\/p>\n

Para preparar este espect\u00e1culo<\/strong>, tuve que sumergirme en mi historia personal y en la de mi pa\u00eds. Me cuestion\u00e9 mucho acerca del pasado pero tambi\u00e9n acerca de la actualidad y pude descubrir otro punto de vista, una parte de la historia que no nos ha sido contada. Por ejemplo, el hecho de que la Rep\u00fablica haya sido muy represiva hacia los obreros, y que la polic\u00eda haya matado a muchos anarquistas. Esto no se cuenta. Pero, lo que m\u00e1s me toc\u00f3 fue el universo de los anarquistas y sus reivindicaciones.<\/p>\n

Mi abuelo, Ces\u00e1reo Casino<\/strong> fue militante anarquista en la guerra civil. Era antes que nada un hombre de coraz\u00f3n. Campesino, trabajaba la tierra; ardiente defensor de la justicia social me transmiti\u00f3 el respeto hacia diferentes formas de realidad y a ser consecuente con sus pensamientos, sus convicciones.
\nDecidi\u00f3 partir al Frente joven, sin experiencia militar y lastimosamente no conozco bien cuales fueron sus motivaciones. Pero, hay una an\u00e9cdota que me encanta; en aquella \u00e9poca, 30 a 40% de la poblaci\u00f3n espa\u00f1ola era analfabeta, entonces mi abuelo se la pasaba escribiendo cartas para sus compa\u00f1eros de armas, cartas de amor para mandar a sus novias.<\/p>\n

Hice esas grabaciones cassettes hace ya 18 a\u00f1os, en aquel momento s\u00f3lo las consideraba como una transmisi\u00f3n oral para nuestra familia. Aun no me daba bien cuenta de su valor, que pod\u00edan contribuir a comprender el pasado y reconstruir la Memoria. Entonces a veces me siento frustrada de no haber podido recoger mas las inquietudes de mi abuelo.<\/p>\n

El movimiento anarquista era profundamente libertario<\/strong>, era casi una filosof\u00eda de vida. Se trataba de reestructurar completamente la sociedad desde el individuo, de pensar las colectividades, de colectivizar la tierra. Muchos eran vegetarianos, en contra de la explotaci\u00f3n animal, y tambi\u00e9n profundamente antib\u00e9licos. En aquella \u00e9poca, muchos proyectos autogestionados se gestaban en Arag\u00f3n, Catalu\u00f1a y varias otras regiones de Espa\u00f1a. Los anarquistas libertarios hasta devolv\u00edan las f\u00e1bricas con superhabit a sus due\u00f1os porque demostraban que los obreros organiz\u00e1ndose no necesitan de un patr\u00f3n que los explote. Su frase emblem\u00e1tica era \u201cluchamos no para el pueblo sino con el pueblo.\u201d Ah\u00ed est\u00e1 toda la diferencia\u2026<\/p>\n

Eran m\u00e1s cercanos a una verdadera revoluci\u00f3n que a una guerra. Y eso no interesaba, los vencedores prefirieron esconderlo.<\/p>\n

Hoy, la visi\u00f3n anarquista libertaria regresa<\/strong> con fuerza con la subida del municipalismo. La historia se repite de una cierta forma, por eso es importante contarle desde otra perspectiva, para aprender de los errores del pasado y construir un futuro m\u00e1s justo. No recaer en los errores de la pasi\u00f3n por ejemplo.<\/p>\n

Debemos resignificar<\/strong>, por eso estoy tan comprometida con las palabras y que en esta obra juego con ellas. Sumergirnos en nuestro pasado, nos permite comprender quienes somos y nos da pistas para mejorar.<\/p>\n

Frente al desaf\u00edo clim\u00e1tico y al colapso social actual<\/strong>, pienso que el artista debe tener un rol clave y transformador. Es delicado ya que muchos artistas aun est\u00e1n amarrados al mercado, a sus exigencias o est\u00e1n encerrados en su propio mundo.
\nPero, esto va cambiado de a poco, hay un despertar de las conciencias, y los artistas empiezan a abrirse, a darse cuenta de lo que pasa a sus alrededores, a conectarse a redes, a otros artistas y a compartir. Peque\u00f1os espacios autogestionados van creciendo y proponen trabajar desde lo colectivo, de manera interdisciplinaria con proyectos m\u00e1s h\u00edbridos.
\nEl arte y la cultura deben contribuir a esta toma de conciencia, a esta expansi\u00f3n.<\/p>\n

En este sentido me inspira la frase que dijo un jornalero andaluz “en mi hambre mando yo<\/em>” en el sentido en que en estos momentos me interesa m\u00e1s mi independencia como artista que el entrar en un circuito en el mercado cultural.<\/p>\n

Durante el proceso de creaci\u00f3n de “36 caracteres”<\/strong> me inspir\u00f3 mucho la reflexi\u00f3n de Durruti \u201cnosotros luchamos no para el pueblo sino con el pueblo.<\/em>\u201d La entrevista que le\u00ed de \u00e9l me motiva mucho ya que cuenta que no tiene miedo de recuperar un mundo en ruinas despu\u00e9s de la lucha. Y explica que los obreros viven en ruinas, hacen funcionar las m\u00e1quinas, sacan el carbon, \u00a1construyen! Entonces \u00bfc\u00f3mo no podemos construir un mundo nuevo desde las ruinas, sobretodo si lo llevamos ya en el coraz\u00f3n?
\nEntonces si, creo que ya es hora que la historia sea contada tambi\u00e9n por los vencidos, para que todo sea un poco m\u00e1s justo.<\/p>\n

Sandra Navarro | https:\/\/merakiproduccion.wixsite.com\/sandrachoreo<\/a><\/p>\n

36 CARACTERES<\/strong>, del 14 al 16 de diciembre 2018 en el Antic Teatre de Barcelona :<\/p>\n

http:\/\/www.good2b.es\/event-post\/36-caracteres-sandra-navarro\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In anticipation of the upcoming premiere of the performance called \u201c36 characters\u201d, Sandra Navarro, Spanish actress and choreographer , shares some of her thoughts with CommonsPolis. Las cintas son el hilo conductor de la nueva obra que presento en Barcelona a mediado de diciembre. Se refieren a grabaciones que hice a mi abuelo. Ellas son…<\/p>\n","protected":false},"author":2,"featured_media":729,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[107,126,191],"class_list":["post-2253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-community","tag-antifascism","tag-culture","tag-municipalismo-libertario-en","category-27","description-off"],"yoast_head":"\nThe militiaman who wrote love letters. 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